If I were to copy anyone, I’d copy Ken Wytsma. He is lead pastor of Antioch in Bend, Oregon, president of Kilns College (where he teaches philosophy and justice), creative advisor for non-profits and founder of the Justice Conference. Additionally, he is the author of three great books. His latest, Create vs. Copy, digs deep into the theology and practice of creativity. So yeah, I’m overawed and would love to copy Wytsma. Only I couldn’t (and shouldn’t).
Create vs. Copy doesn’t have much to say about copying, outside its introduction and first chapter (SPOILER ALERT: don’t do it!). Wytsma’s focus is on creating. Creativity leads us to blazes trails, innovate, and try new things(14). Copying does not (although there is space for creative borrowing).
The book unfolds in two parts. Part one presents a theology of creativity. Part two explores the practices which bring creativity to life. Of course it isn’t quite that neat. Wystma’s thoughtfulness about the ‘why’ behind the creative process underpins his practical suggestion; practice bleeds out of his theology. The whole book is an invitation toward creative action. Here is a closer look at what to expect:
In chapter one, Wytsma quotes Genesis 1:27, observing the one aspect of God’s nature described in the verse is this: God creates (24). So Wytsma identifies creativity as part of what it means for us to bear God’s image. This means all of us:
Yes, artists, but also everyone else. While artistic ability is a talent few possess (and/or cultivate with time and hard work), creative capacity is something all of us are born with. Put another way, artists are skilled with unique talents, but creativity is part of what makes us human. (27)
Chapter two, “Continuous Creativity,” begins with Wytsma’s reflections on the Second Law of Thermodynamics (Increased Entropy) which states “All closed systems tend to move toward a state of greater disorder and dissipated energy” (37). Wytsma connects this with our experience:
This dissipation is familiar in nearly every area of life. If not renewed, donor bases will erode over time. Congregations will shrink. Family dynamics will tense up. Relationships will fade. Leadership strategies become stale and ineffective. Even our bodies and minds lose their vigor (38).
But entropy characterizes closed systems and creativity is our means to crack them open to allow life back in (39). Wytsma links the work of ongoing, continuous creativity to our image bearing and Gods redemptive plan: God created the world, is in the process of creating, and will create a new heaven and a new earth (42-43); we were created as creative, are creating and are reaching forward with our creative potential. Wytsma closes this chapter with practices for incorporating creativity at home and work (48-52).
Chapter three gives shape to how creativity brings life to our decaying systems. A closed system leads to narrowing horizons, creativity is aimed at making space for life to flourish (51-53). The process is organic: a narrowing horizon is a fear-inducing-context or problem requiring a solution; by responding with intentional creativity (a pattern of life emerging from a nourished imagination) innovation occurs (67). Chapter four describes the outworking of this theology of creativity and innovation in our globalizing world.
In chapter five, Wytsma explores the ways imagination helps us see what is and what should be. As we age, our capacity to imagine possibilities is constrained by our culture and peer group (110). Our creative impulse atrophies, but Wytsma contends, through its exercise, we can reignite our creativity (114).
Chapter six probes the role of imagination in creative process. The comprehensive imagination names our ability to understand the relevant data for seeing current problems (120-121). Our artistic imagination helps us envision what could be (122). Our practical imagination helps envision and enact solutions which will work, leading to innovation (122-123). Wytsma also identifies challenges to our imagination (i.e. knowing what ideas to ‘prune’ and convincing people that imagination isn’t the purview of the few).
Chapter seven identifies the process of intentional creativity as both movement and alignment (136). Movement means doing something. “Our natural response to change is to buck against it, to dig in our heels, to wish things would stay the way they are or go back to the way they used to be” (136-137). But inaction leads to the dissipation of entropy, and our best ideas will come in the midst of our work. Drawing on Robert Epstein, Wytsma suggests we sharpen our creative skills by taking notes of new ideas, seeking out challenging tasks, broadening our knowledge, and surrounding ourselves with interesting things and people (138-140). Yet undirected creativity without healthy constraints won’t get you where you want to go (142). Our creativity is aligned when we understanding our role in “God’s creative, redemptive work” (143). Wytsma observes, “When our values guide our whole creative process—imagination, intentional creativity, and innovation—something beautiful happens” (147).
The final chapter discusses ‘generous creativity’: the ways in which creativity is collaborative, ‘in-processs’ and is aimed at relationship more than results. One example of creative-collaboration is how each chapter is punctuated with Paul Crouse’s stunning illustrations, making this book practical AND beautiful. A brief conclusion summons us to creative action (don’t just be a copier or a critic).
I was predisposed to like this book. I am artistic and have read Wytsma’s previous books appreciatively. I also love the interactive aspects like the additional reading suggestions from Ken’s blog and reflection questions appended to each chapter. But this book was also very helpful for me. Despite my love of creativity, my last leadership role was in an entropic system where I failed to lead a process toward vitality. I didn’t know how to lead innovation. Wytsma gives shape to how the creativity makes space for life to flourish. As a rookie pastor this would have saved me a lot of grief (in a way vision-casting exercises didn’t).
According to Wytsma, all of us have the capacity and ability for creativity; however he favors leadership in his examples. He states, “Those who create blaze trails, take risks, and try new ways. . . . They lead. . . .Copiers by definition, will always follow” (14). Creativity is defined as leading; copying means following. Maybe so, but not everyone leads (processes or people). More ought to be said about creative following. For leaders and artists, creativity is explicit. It is what they need to do in order to thrive in business, art and life. In other vocations creativity is implicit. How does creativity play out in the lives of accountants (creative accounting isn’t good, right?), nurses, housekeepers, or whatever? Creativity is essential to all our image-bearing, so I wish there were more examples from ordinary lives.
None of this detracts from my enjoyment. This was a fun,fruitful read which pushed me to think and act with more creativity in ministry and life. I give this five stars and recommend it for leaders, artists, innovators, and yes, copycats, followers and ordinary folk. It calls us to embody the spacious and life giving. ★★★★★
Note: I received a copy of Create vs. Copy as part of the launch team for the book. I was asked for my honest review. The book is slated for release on March 1, 2016 and is currently available for pre-order on Amazon and can be ordered directly from the publisher’s website.