There is Nothing I Can Do Against Your Coming.

Today is the winter solstice—the shortest of days, the longest of nights. The early sunsets and the cloud cover of the Pacific North West means that our Advent ‘wait for the light” is as literal as it is metaphorical. We are in the long dark, awaiting the break of dawn.

But these days are dark in other ways too. We may have lingering sadness for friends and family we won’t see this Christmas. We may feel anxious about money, grieving the loss of a loved one, or feel the ache of a failed relationship. We may be depressed and lonely. This can be a difficult season for lots of reasons. In our house, we have been battling the flu. There is no good time to be sick, but the prospect of sick kids over Christmas feels pretty awful.

Jane Kenyon was no stranger to the darkness. Like many poets, she struggled with clinical depression. Her poem Having it Out With Melancholy describes her lifelong struggle with the dark:

1 FROM THE NURSERY

When I was born, you waited 
behind a pile of linen in the nursery, 
and when we were alone, you lay down 
on top of me, pressing
the bile of desolation into every pore.

And from that day on 
everything under the sun and moon 
made me sad — even the yellow 
wooden beads that slid and spun 
along a spindle on my crib.

You taught me to exist without gratitude. 
You ruined my manners toward God:
“We’re here simply to wait for death; 
the pleasures of earth are overrated.”

I only appeared to belong to my mother, 
to live among blocks and cotton undershirts 
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases. 
I was already yours — the anti-urge, 
the mutilator of souls.

2 BOTTLES

Elavil, Ludiomil, Doxepin, 
Norpramin, Prozac, Lithium, Xanax, 
Wellbutrin, Parnate, Nardil, Zoloft. 
The coated ones smell sweet or have 
no smell; the powdery ones smell 
like the chemistry lab at school 
that made me hold my breath.

3 SUGGESTION FROM A FRIEND

You wouldn’t be so depressed
if you really believed in God.

4 OFTEN

Often I go to bed as soon after dinner 
as seems adult
(I mean I try to wait for dark)
in order to push away 
from the massive pain in sleep’s 
frail wicker coracle.

5 ONCE THERE WAS LIGHT

Once, in my early thirties, I saw 
that I was a speck of light in the great 
river of light that undulates through time.

I was floating with the whole 
human family. We were all colors — those 
who are living now, those who have died, 
those who are not yet born. For a few

moments I floated, completely calm, 
and I no longer hated having to exist.

Like a crow who smells hot blood 
you came flying to pull me out 
of the glowing stream.
“I’ll hold you up. I never let my dear 
ones drown!” After that, I wept for days.

6IN AND OUT

The dog searches until he finds me 
upstairs, lies down with a clatter 
of elbows, puts his head on my foot.

Sometimes the sound of his breathing 
saves my life — in and out, in 
and out; a pause, a long sigh. . . . 

7PARDON

A piece of burned meat 
wears my clothes, speaks 
in my voice, dispatches obligations 
haltingly, or not at all.
It is tired of trying 
to be stouthearted, tired 
beyond measure.

We move on to the monoamine 
oxidase inhibitors. Day and night 
I feel as if I had drunk six cups 
of coffee, but the pain stops
abruptly. With the wonder 
and bitterness of someone pardoned 
for a crime she did not commit 
I come back to marriage and friends, 
to pink fringed hollyhocks; come back 
to my desk, books, and chair.

8CREDO

Pharmaceutical wonders are at work 
but I believe only in this moment 
of well-being. Unholy ghost, 
you are certain to come again.

Coarse, mean, you’ll put your feet 
on the coffee table, lean back, 
and turn me into someone who can’t 
take the trouble to speak; someone 
who can’t sleep, or who does nothing 
but sleep; can’t read, or call 
for an appointment for help.

There is nothing I can do 
against your coming. 
When I awake, I am still with thee.

9WOOD THRUSH

High on Nardil and June light 
I wake at four, 
waiting greedily for the first
note of the wood thrush. Easeful air 
presses through the screen 
with the wild, complex song 
of the bird, and I am overcome

by ordinary contentment. 
What hurt me so terribly 
all my life until this moment? 
How I love the small, swiftly 
beating heart of the bird 
singing in the great maples; 
its bright, unequivocal eye.

Married to Donald Hall (another brilliant poet!) and a dog owner, she was able to stave off the dark long enough to leave behind some great poems, full of evocative imagery and emotion. As she faced the darkness and sometimes she found the beauty in the shadow:

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles 
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come. 

Let Evening Come

I love that last stanza: Let it come, as it will don’t be afraid. God doesn’t leave us comfortless, so let evening come.

Darkness in the guise of leukemia would claim Kenyon’s life in 1995, just as she was hitting her stride as a poet. Her last poems are wistful and sad. And yet despite the struggle and the sadness and the lingering dark, there is a thread of hope that runs through her poetry. God does not leave us comfortless so let evening come. Morning is coming soon and with it joy.