You’re My Wonderwell: a ★★★★★book review

Clyde Kilby (1902-1986) is remembered fondly by students he taught literature and writing to at Wheaton College. He is known more widely still for being an early evangelical champion of C.S. Lewis, J.R.R. Tolkien and the Inklings. He founded Wheaton’s  Marion Wade Collection which houses manuscripts and letters from Lewis, Tolkien, Owen Barfield, Charles Williams, Dorothy Sayers, G.K. Chesterton and George Macdonald.

a-well-of-wonderIn A Well of Wonder(Mount Tabor Books, 2016), editors Loren Wilkinson & Keith Call draw together various essays and chapters which Kilby wrote about this collection of writers. The chapters of this book come from published articles from Kilby (in Christianity Today, Intervarsity Magazine, journals, student publications, etc.), book chapters and interviews. The book opens with a Poetic tribute to Kilby from Luci Shaw. Part one of the book contains Kilby’s writings on Lewis, part two Tolkien,  and part three, the Inklings and the Christian imagination. Wilkinson writes an introduction and an afterward  which showcase both the influence that Lewis et al. had on Kilby and the sense of wonder Kilby imparted to Wilkinson in his student days.

Kilby met Lewis only once in 1953, but had a deep appreciation for Lewis’ imagination and his ability to communicate difficult and deep theological truths in a accessible and winsome manner.  The essays in chapter one range from in-depth examinations of Lewis’s writings, to discussions of Lewis’ life and character. Kilby knew the Lewis corpus well. He focuses most of his comments on Lewis’s literary works (e.g. his fiction, Children’s literature, and biography, Surprised by Joy) but he appreciated the clarity of Mere Christianity, Miracles and others of Lewis’s apologetic writings.

Kilby met Tolkien later, in 1964 while visiting Oxford. The two men struck up a friendship and began writing each other.  Kilby would return to Oxford in the summer 1966 to attempt to help Tolkien prepare The Silmarillion for publication (though it became clear that Tolkien would never finish it).  There is a good longish essay about Kilby and Tolkien’s friendship and Kilby’s observations (chapter 15). Kilby takes Tolkien at his word that there is no Christian allegory undergirding his Middle Earth myths, but he does probe The Silmarillion and LOTRs for the echoes of the biblical story (as well as the Hobbit and shorter tales like Leaf by Niggle).

In the final section, there is a couple of good essays on Williams and his influence on (and differences from) Lewis and Tolkien, a good essay on Dorothy Sayers, and a couple of chapters about the formation and growth of the Wade Collection and reflections on reading and writing fiction well from a Christian perspective. I particularly appreciated Kilby’s discussion of Williams.

Kilby was an incisive reader of Lewis and Tolkien (and the others). I learned a great deal from his close readings and was charmed by his remembrances of Lewis, and especially Tolkien. These reflections are more appreciative than critical. He doesn’t explore the ambiguities of Lewis’s relationship with Mrs. Moore as later biographies would. He also has very little to say about the cooling off of Tolkien and Lewis’s friendship when Williams joined the Inklings (or later when Lewis married Joy Davidman). Kilby showed little interest in the sordid and questionable details of his heroes lives, and focused instead on glimmer of light he saw in these men and their luminous prose.

To me, the introduction and afterward are part of the fun of this book. I was a student at Regent when Wilkinson taught full time and have seen how he brings people to the well of wonder, as Kilby had done for him (and Lewis and the Inklings did for Kilby). It is the grand-daddy of Christian fantasy writing, George Macdonald, who gets the final word in Wilkinson’s afterward:

The water itself, that dances and sings, and slakes the wonderful thirst—symbol and picture of that draught for which the woman of Samaria made her prayer to Jesus . . .this water is its own self, its own truth, and is therein a truth of God. Let him who would know the truth of the Maker, become sorely athirst and drink the brook by the way—then lift up his heart—not at the moment to the maker of oxygen and hydrogen, but to the Inventor and mediator of thirst and water, that man might foresee a little of what his soul may find in God. (337).

Kilby loved this group of British Christian writers because they slaked his thirst and he saw through them to the Source. I recommend this book for anyone who shares Kilby’s appreciation for Lewis and Tolkien (and those who just don’t get it). I give it five stars. ★★★★★

I received a copy of this book from Paraclete Books in exchange for my honest review. Mount Tabor Books is an imprint of Paraclete.

A Storied Easter: a book review

About a dozen years ago my wife and I read a little devotional called Bread and Wine: Readings for Lent and Easter. It was published by Plough Publishing, the publishing arm of an intentional Christian community called the Bruderhof (also called Church Communities International). It was a wonderful collection of stories, poems, memoir and theological reflection. It remains my favorite Lenten devotional.

This year Plough Publishing has published a new book for the Easter Season: Easter Stories: Classic Tales for the Holy Season. Edited by Miriam Leblanc with beautiful woodcut illustrations by Lisa Toth, this book gathers twenty-seven stories which are related, in some sense, to Easter and Passion week. A poem and a tale from Bruderhofer, Jane Tyson Clement, opens the collection, but the theological perspectives and literary styles of what follows are diverse. There are stories that follow closely the passion narratives and Easter story (see Andre Trocme’s How Donkeys Got the Spirit of Contradiction or Clarence Jordon’s Stories from the Cotton Patch Gospel). There are stories that speak evocatively about Easter and the meaning of spiritual transformation (for example, C.S. Lewis’s The Death of the Lizard’ excerpted from “The Great Divorce” or Sarah Cone Bryant’s Robert of Sicily). A few of these tales come from European folklore. Mostly these stories were penned in the Nineteenth or Twentieth Century. Vocationally the authors were novelists, dramatists, childrens’ story authors, pastors, and poets). There are Christian authors, communists and the religious unaffiliated.

As diverse at the material is, the authors and stories selected are from White Europeans (or their American descendants). There are German, Russian, English, French, Swedish, American authors. While this is a limited selection, it does reflect the context and heritage of the Bruderhof. I picture  that these are the sort of tales that they would tell their young. I had read some of the material they include here (C.S. Lewis, Tolstoy, Wangerin, etc), some authors I knew by reputation, others were unfamiliar to me.

As with all collections, I enjoyed some stories more than others. Some grabbed me, others didn’t. On the whole, however, an enjoyable collection and thought provoking. Story has a way of igniting the imagination and helping us see the meaning of things. Can’t think of a better subject matter than the Easter event. I do not think this is as strong a collection as Bread and Wine was, but it is a worthwhile and enjoyable read. Toth’s woodcuts are stunning. I give the book 3.5 stars.

Notice of Material Connection, I received this book from the publisher via Handlebar Media in exchange for my honest review.