Wounded In Spirit: an Advent Devotional (p)review and GIVEAWAY!!!

The secular and liturgical calendars nearly converge this year, so whether you mark the start of Advent with those calendars of chalky, cheap chocolate from your local supermarket, or through participation in Sunday worship, the season begins this weekend. During Advent I always look for a devotional to read through, as I attempt to wait well. Friends at Paraclete Press were nice enough to share with me Wounded in Spirit: Advent Art and Meditations, a new devotional by David Bannon. Bannon combines reflections on grief, hope, wounds and waiting with beautiful works of art. It is an exquisite book!

9781640601451But Advent is the season of waiting. To wait is to note that things are not yet as they should be. And so, this is a difficult season for a lot of us. For all the promise of holiday cheer, these are long dark nights, often touched by heartache, loneliness, estrangement, deep wounds, and mourning. Bannon is no stranger to grief and heartache. In 2006 he was convicted for criminal impersonation. In 2015 his daughter died of a heroin overdose (introduction, XVI).  He know what it means to be broken and bereaved, to long for wholeness, healing and the coming of God’s shalom. He doesn’t speak explicitly about his own story in these meditations. He focuses instead on the stories of the artists—their stories, wounds and the works they produced.

The art in this book is varied in style, though exclusively Western European,ranging from the Renaissance era to about mid 20th Century. There are works by celebrated artists like Gauguin, Tissot, Caravaggio, Tanner, Delacroix, Van Gogh and Dürer, as well as notable pieces from artists with less household name recognition. Bannon describes the artist’s life, and the ways their wounds bleed onto the canvas. He invites us to stop and pay attention, to really see the artist and their work, to experience healing and perchance commune. Each daily meditation includes quotations for reflection from notable artists, writers, philosophers or theologians.

Art is something that has been healing for me on my own spiritual journey so I am looking forward to sitting with these artists and their work. I have not read the whole book yet, just introduction and several entries, though Bannon appears to be a good guide.

Waiting is painful. Things are not yet as they should be. But waiting doesn’t have to be dull and dreary, it can be a sensory experience, a time of entering more fully into Life. A time to grieve, yes, but joy comes in the morning.

Paraclete Press, has graciously allowed me to run a giveaway on my blog of 3 copies of the book? Yeah, James, but how can I win? 

There are 2 ways to enter:

  1. Comment below and tell me what do you find most difficult about this time of year.
  2. Share this giveaway on Social Media by hitting the share button below, Be sure to comment and share the link in the comment section, so I see your entry!

Winners will be chosen Thursday, 11/29 at 9pm Pacific Time.

Drawing On Creation, Getting Drawn In: a book review

I confess that I am a better buyer of books on creativity than I am a reader of them. My shelf is loaded with books on the creative process, on writing, on drawing and painting, on making beautiful things. I tend to see these books and dream. I rescue interesting books from bargain tables and bring them home with best intentions. Often I puruse the introduction and the first several pages. Invariably, these books collect dust on my shelf. Often I wish to get back to a book, but time and busyness keep me from my goals.

Drawn In: A Creative Process For Artists, Activists and Jesus Followers by Troy Bronsink

Drawn In: A Creative Process for Artists, Activists and Jesus Followers was a book that I read cover to cover. I found more here than interesting exercises to explore (though yes, there are some). Troy Bronsink lays out a theological foundation for the creative process which can be applied to whatever medium we work in. Hence the insights of this book are applicable to both artists and activists. Bronsink seeks to ‘sketch out the correlations between “the creative life and the life of faith by tracing how God creatively draws all things into one vision of a new creation (2)” Artists and activists in their own way participate in ‘new creation.’ So does every follower of Jesus.  Bronsink has plenty of personal examples of each. He is an artist (and musician), an activist, and of all things a Presbyterian pastor.

While Bronsink writes as a Christian and with an explicitly Christian, theological vision of the arts, his method is broad enough to accomodate artists and creatives from other faith perspectives. This book is evangelistic in the best sense–it gives a Christian vision of creativity and the arts without manipulating and demeaning the creative vision of those outside the fold. Anyone interested in Creativity or art will find much in this book which is instructive and helpful.

Bronsink develops his vision of creativity in two parts. Part one looks at God’s relationship with creation while part two examines our relationship with creation.  There is a self conscious patterning here. Bronsink believes that as artists (and activists) create, they are ‘imaging God’ and participating in God’s New-Creation. God’s creation of the world recorded in Genesis provides the basis  for his vision of the creative process.  Bronsink proposes a cycle of six waves (which reflect God’s role in the creation account):

  • Dreaming– God dreamed our future into existence, likewise our creative projects all begin with dreaming, meditating and brainstorming.
  • Hovering– The Spirit of God hovered over the chaos before the creation.  Our own creative process includes a period of incubation where we wait patiently for our dreams to bear fruit.
  • Risking–God created the heavens and the earth and we must risk creating if our artistic vision is to become reality.
  • Listening–God listened to his creation and heard its voice. We too must listen and hear from the stuff and material we are creating. This step is dialogical. Creator and creation listen to one another through the creative process.
  • Reintegration–God (re)integrated everything with the rest of creation.  Our own creating as ‘God’s comissioned artists’ involves are sharing generously our ‘art’ with the world: no strings attached.
  • Resting– As God rested at the end of His creation so we too must end creating and surrender our creation to its fate.

These six waves are repeated twice in the book. The opening chapter in section one presents God’s creation and the “Lost Arts” of creativity. The final chapter, “Make Your Life a Monastery,” presents our human appropriation of the process. Between these two  poles, Bronsik reflects on the medium of God’s work, materiality, space, time, working with others, our senses, how work relates to our vision and how we are ‘drawn in’  to participating in God’s creation.

I appreciate the richness of the theological reflection that went into this book as Bronsink reflects on the creative process.  He was a student of Anna Carter Florence (preaching), Darrell Guder (Missiology) and Walter Brueggemann (Old Testament). The stamp of each is evident in his theological vision, but he is unique in the manner that he appropriated their insights.

Bronsink is a good companion in the creative process. I liked this book a lot. I have yet to complete the thirty two creative exercises included in the book but they offer a chance to cement the lessons in these pages. I give this book five stars: ★★★★★

Thank you to Paraclete Press for providing me a copy of this book in exchange for my honest review