Today is the winter solstice—the shortest of days, the longest of nights. The early sunsets and the cloud cover of the Pacific North West means that our Advent ‘wait for the light” is as literal as it is metaphorical. We are in the long dark, awaiting the break of dawn.

But these days are dark in other ways too. We may have lingering sadness for friends and family we won’t see this Christmas. We may feel anxious about money, grieving the loss of a loved one, or feel the ache of a failed relationship. We may be depressed and lonely. This can be a difficult season for lots of reasons. In our house, we have been battling the flu. There is no good time to be sick, but the prospect of sick kids over Christmas feels pretty awful.
Jane Kenyon was no stranger to the darkness. Like many poets, she struggled with clinical depression. Her poem Having it Out With Melancholy describes her lifelong struggle with the dark:
1 FROM THE NURSERY
When I was born, you waitedÂ
behind a pile of linen in the nursery,Â
and when we were alone, you lay downÂ
on top of me, pressing
the bile of desolation into every pore.And from that day onÂ
everything under the sun and moonÂ
made me sad — even the yellowÂ
wooden beads that slid and spunÂ
along a spindle on my crib.You taught me to exist without gratitude.Â
You ruined my manners toward God:
“We’re here simply to wait for death;Â
the pleasures of earth are overrated.”I only appeared to belong to my mother,Â
to live among blocks and cotton undershirtsÂ
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases.Â
I was already yours — the anti-urge,Â
the mutilator of souls.2 BOTTLES
Elavil, Ludiomil, Doxepin,Â
Norpramin, Prozac, Lithium, Xanax,Â
Wellbutrin, Parnate, Nardil, Zoloft.Â
The coated ones smell sweet or haveÂ
no smell; the powdery ones smellÂ
like the chemistry lab at schoolÂ
that made me hold my breath.3 SUGGESTION FROM A FRIEND
You wouldn’t be so depressed
if you really believed in God.4 OFTEN
Often I go to bed as soon after dinnerÂ
as seems adult
(I mean I try to wait for dark)
in order to push awayÂ
from the massive pain in sleep’sÂ
frail wicker coracle.5 ONCE THERE WAS LIGHT
Once, in my early thirties, I sawÂ
that I was a speck of light in the greatÂ
river of light that undulates through time.I was floating with the wholeÂ
human family. We were all colors — thoseÂ
who are living now, those who have died,Â
those who are not yet born. For a fewmoments I floated, completely calm,Â
and I no longer hated having to exist.Like a crow who smells hot bloodÂ
you came flying to pull me outÂ
of the glowing stream.
“I’ll hold you up. I never let my dearÂ
ones drown!” After that, I wept for days.6IN AND OUT
The dog searches until he finds meÂ
upstairs, lies down with a clatterÂ
of elbows, puts his head on my foot.Sometimes the sound of his breathingÂ
saves my life — in and out, inÂ
and out; a pause, a long sigh. . . .Â7PARDON
A piece of burned meatÂ
wears my clothes, speaksÂ
in my voice, dispatches obligationsÂ
haltingly, or not at all.
It is tired of tryingÂ
to be stouthearted, tiredÂ
beyond measure.We move on to the monoamineÂ
oxidase inhibitors. Day and nightÂ
I feel as if I had drunk six cupsÂ
of coffee, but the pain stops
abruptly. With the wonderÂ
and bitterness of someone pardonedÂ
for a crime she did not commitÂ
I come back to marriage and friends,Â
to pink fringed hollyhocks; come backÂ
to my desk, books, and chair.8CREDO
Pharmaceutical wonders are at workÂ
but I believe only in this momentÂ
of well-being. Unholy ghost,Â
you are certain to come again.Coarse, mean, you’ll put your feetÂ
on the coffee table, lean back,Â
and turn me into someone who can’tÂ
take the trouble to speak; someoneÂ
who can’t sleep, or who does nothingÂ
but sleep; can’t read, or callÂ
for an appointment for help.There is nothing I can doÂ
against your coming.Â
When I awake, I am still with thee.9WOOD THRUSH
High on Nardil and June lightÂ
I wake at four,Â
waiting greedily for the first
note of the wood thrush. Easeful airÂ
presses through the screenÂ
with the wild, complex songÂ
of the bird, and I am overcomeby ordinary contentment.Â
What hurt me so terriblyÂ
all my life until this moment?Â
How I love the small, swiftlyÂ
beating heart of the birdÂ
singing in the great maples;Â
its bright, unequivocal eye.
Married to Donald Hall (another brilliant poet!) and a dog owner, she was able to stave off the dark long enough to leave behind some great poems, full of evocative imagery and emotion. As she faced the darkness and sometimes she found the beauty in the shadow:
Let Evening Come
Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.
Let the cricket take up chafing
as a woman takes up her needlesÂ
and her yarn. Let evening come.
Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.
Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.
To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.
Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.Â
I love that last stanza: Let it come, as it will don’t be afraid. God doesn’t leave us comfortless, so let evening come.
Darkness in the guise of leukemia would claim Kenyon’s life in 1995, just as she was hitting her stride as a poet. Her last poems are wistful and sad. And yet despite the struggle and the sadness and the lingering dark, there is a thread of hope that runs through her poetry. God does not leave us comfortless so let evening come. Morning is coming soon and with it joy.