Unnoticed and Unknown to Men of Power

When Mary went to visit Elizabeth, her ancient cousin—long past the years of child bearing—she came out to meet her. Elizabeth deepest shame had been that she was barren, but when Mary approached she saw her cousin’s glow, the swell of her abdomen, and delight in her eyes. As Mary approached Elizabeth was momentarily breathless. She put her hand on her belly. The baby had given her a spirited kicked. 

She called to Mary, “Blessed are you among women and blessed is the fruit of your womb! Why am I so favored that you would come to visit me? As soon as I heard your greeting, the baby in me leapt with joy. Blessed is the one who believed God would fulfill his promise to her! (Luke 1:41-44)”

This is the setting of Mary’s own song, the Magnificat, where she glories in the Lord for her goodness to her and the coming justice her baby boy would usher in.

Priest and poet, Malcolm Guite imagines the scene, two women on the edge of things, unnoticed and unknown to men of power:

The Visitation

Here is a meeting made of hidden joys

Of lightenings cloistered in a narrow place

From quiet hearts the sudden flame of praise

And in the womb the quickening kick of grace.

Two women on the very edge of things

Unnoticed and unknown to men of power

But in their flesh the hidden Spirit sings

And in their lives the buds of blessing flower.

And Mary stands with all we call ‘too young’,

Elizabeth with all called ‘past their prime’

They sing today for all the great unsung

Women who turned eternity to time

Favoured of heaven, outcast on the earth

Prophets who bring the best in us to birth.

This poem is taken from Malcom Guite’s blog: https://malcolmguite.wordpress.com/2012/05/31/a-sonnet-for-the-feast-of-the-visitation/

Two women overlooked. The one who couldn’t conceive (Elizabeth), the one who shouldn’t (unwed teenager mum, Mary).The “too young” and the “past her prime.” It is it any wonder that Mary’s song lifts up the poor, the humble, and the hungry, over against the powerful, the wealthy, rulers of the age? Even before Mary unleashed her melody—a song which recalled Hannah (1 Sam 1), another overlooked woman—God was already at work lifting up the forgotten, the overlooked, the outcast.

When the Triune God set his redemptive plan in motion, he didn’t come to the powerful, the strong, or the patriarchy. He came to an unwed teen girl blessing her older cousin also. Both would have boys who would call God’s people to repentance and point to the coming reign of God. One of their boys would be God himself.

Yes, an Angel had visited Elizabeth’s husband Zechariah. The proud man couldn’t accept the angel’s news. Not like Mary. Not like Elizabeth. Favored of heaven, outcast on the earth, Prophets who bring the best in us to birth. 

Our Spirits Rejoice With God Our Savior

Nothing captures Advent Joy the way that Mary’s song does:

“My soul glorifies the Lord
  and my spirit rejoices in God my Savior,
for he has been mindful
    of the humble state of his servant.
From now on all generations will call me blessed,
 for the Mighty One has done great things for me—
    holy is his name.” (Luke 1:46-49)

Mary’s song bursts. It exudes praise. She recognizes the significance of what God was going to do through her baby boy. Every generation will be blessed because of Mary’s participation in God’s redemption and the things her Son will do.

The song goes on:

His mercy extends to those who fear him,
    from generation to generation.
 He has performed mighty deeds with his arm;
    he has scattered those who are proud in their inmost thoughts.
 He has brought down rulers from their thrones
    but has lifted up the humble.
He has filled the hungry with good things
    but has sent the rich away empty.
 He has helped his servant Israel,
    remembering to be merciful
 to Abraham and his descendants forever,
    just as he promised our ancestors.” (Luke 50-55)

She describes the mercy of God to those who fear (revere)him and how God scatters the proud, brings down rulers and lifts up the humble, feeds the hungry and sends the rich away empty.

This is radically inclusive and subversive!

A had a seminary professor who used to pastor an ex-pat church in the Philippines where it was illegal to read the Magnificat in public, for fear that it would incite riot and revolution. These words are politically charged. The proud are scattered and the rich go away empty. The humble are lifted up while the rulers are deposed. Mary challenges the whole system centuries before the classic Liberals defied Monarchy, the Communists decried Capitalism and the Anarchists denied institutional authority. If you do not hear a poignant critique of the way things are in Mary’s words, you are over-spiritualizing her words and dismissing them. There is raw power here. This is a rallying call!

Unfortunately, even the poets sometimes miss the point, focusing instead on Mary’s high praise while glossing over the phrases that challenge the status quo. Author and activist Lisa Sharon Harper published this poem in Sojourners in 2008. I think it gets at the joyful and subversive hope of Mary:

Mary’s Song: A Poem

Dark times
Regime change.
“How are we gonna make it?”
“How are we gonna live?”
Tomorrow?

Fear for breakfast
Trembling for brunch
Despair for dinner.

Dark thick air
Full of fumes
Can’t breathe.

Thick over the man on the street
With feet sticking out of his shoes.
Shoes wrapped in muslin.
It does not cover him
He lay cocked to one side.
In a fetal position.
He was a baby once.
Once — he cried and cuddled and coo-ed
Now he knows evil of this world.
His eyes have been baptized in the warped world of war.
They stare –- numb.
Dead eyes.
Murdered by drugs and guns and blood
Murdered by full metal jackets
Innocent eyes stolen
Stolen, too, the man’s soul.
Now
He lays in a fetal position
Waiting…

And the woman on the train
Across the aisle from me.
Her hand stretches forth
Rests on the carriage
Rocking a sleeping baby.
Innocent in all things.
Deserving of nothing
Deserving of all things
Baby lay waiting
In a fetal position
Baby waits to breathe above 125th street.
Fumes hover in her neighborhood
Where bus depots pepper the map.
Cancer fumes
Asthma fumes
Fumes that shape life
Limit life
Steal life
But for now she sleeps
And her momma rocks her carriage.

And the GM
And the Hedgefund
And the free-market giants
Three of them
Jolly and Green
They lay now
Tears trickle from baptized eyes
Dead eyes
They stare –- numb
Ransacked by green greed and time catching up
Now … nothing –- or at least it feels like nothing.
They have what feels like nothing.
And for fear of feeling fear
The giants lay feeling nothing.

Darkness hovers over the deep
And we wait.

We watch with dead eyes
Eyes that have seen too much.
Eyes that have known too much evil.
Redeem! Lord, Redeem!

Watch for the light.
Wait for the light.
It pierces darkness
And unfurls curled bodies
It covers twisted limbs.
It replaces fumes with blankets of breath
Mixed with love and sacrifice.

Mary watched and waited
The powerless, harassed young girl –- 13.
Barely a foot in the world
On the run
Chased down by power
Death surrounded her
Wrapped in the stench of King Herod’s dying babies

But

Into the darkness Mary sang!

“My soul doth magnify the Lord!
My soul doth magnify the Lord!
The one more mighty than darkness has done great things!”

For resting in her belly
Turning in her belly
Pressing on her belly
Light was being born

“God scatters the proud in the thoughts of their hearts,”
Mary says!
“God brings down the powerful from their thrones and lifts the lowly,”
Mary proclaims!

And the man with feet peeking from his shoes will be lifted up.
He will stand up!
And the baby covered in fumes will be lifted up.
She will stand up! Up!
And the green giants laying with dead eyes — yes, even they will be lifted up!
They will stand!
Blessed are they now, for they are ready to be lifted up.
They will lock hands
With their sisters and brothers and …

Our souls will magnify the Lord.
Our souls will magnify the Lord.
Our souls will magnify the Lord …
… together!
And our spirits will rejoice in God our savior!

Amen.

Poem originally published by Sojourners, 12-17-2008 https://sojo.net/articles/marys-song-poem

The homeless, the mother and asthmatic child riding the train, the greedy green giants which lost everything in an economic downturn. All humble or humbled, awaiting the day when they will be raised up. Jesus is coming. My soul magnifies the Lord!

Clad in Peace I will Sing the Songs

Creation cries. It is a full throated, snotty nose cry. It is a deep groaning cry. Nature longs to be free from its decay, death and entropy. The Apostle Paul wrote that, “the whole creation has been groaning as in the pains of childbirth right up to the present time” (Romans 8:22) awaiting its redemption, its restoration and its being made whole. 

When we talk of our hopes for peace, we most often mean the cessation of war and reconciliation between rivals. Sometimes we describe a hope for inner peace—freedom from anxious thoughts that plague our heart. If we are really spiritual and/or evangelical we might speak of the possibility of  peace with God—forgiveness of sins and our personal salvation.

But Creation cries too, and hopes for shalom. It groans under our violence and dominance. Our weapons of war scar the Earth’s crust. Our pragmatic utilitarianism and economic shortsightedness damage the planet, as we deplete her resources. Creation cries and longs. Anyone with ears, listen!

Maya Angelou helps me to hear. Famous for her memoir, I Know Why The Caged Bird Sings, and her Civil Rights activism, her poetry is a hopeful shout against human oppression. In, The Rock Cries Out Today, she gives voice to the rock, the river and the tree—witnesses to the long history of human violence and victims of our un-shalom:

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers–
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot…
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours–your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes,
Into your brother’s face, your country
And say simply
Very simply
With hope
Good morning.

The rock cries out to us, we who have crouched too long in bruising darkness and spelled words armed for slaughter. The river sings to us. We hear her song from behind our walls. She invites us to rest by the river banks and give up our armed struggles for profits which slash her shore. Come, she sings, and study war no more:

Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.

The river exhorts us to listen to the singing river and wise rock. The Asian, the Hispanic, the Jew, the African and Native American, the Sioux,
the Catholic, the Muslim, the French, the Greek, the Irish, the Rabbi, the Priest, the Sheikh, the Gay, the Straight, the Preacher, the privileged, the homeless, the teacher hear and yearn for the peace the river and rock have seen. The first and last of every tree, the tree with deep roots, that will not be moved invites us to plant ourselves with her, there by the river, and  to dream. 

The rock, the river,  the tree invite us to life our face toward the coming dawn:

History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.


Creation cries its plaintive cry, bearing the scars of our battles and our preference for profits over prophets. Isaiah long ago had warned us what our lack of shalom was doing to the earth:

The earth dries up and withers,
    the world languishes and withers;
    the heavens languish together with the earth.
5The earth lies polluted
    under its inhabitants;
for they have transgressed laws,
    violated the statutes,
    broken the everlasting covenant.

Isa. 24:4-5

We can’t go back. Eden is lost to us. It disappeared in a cloud of exhaust. All our winters are nuclear. Wildfires ravage our forests. The Earth quakes. There is war and rumors of yet more war.

What would it take for us to lay down our cynicism and the bloody sear on our brow, and hear the wise rock, the river song and the tree that will not be moved? When will creation’s cry be heard? When will it be renewed?

Hope is the Thing with Feathers

Emily Dickinson was a recluse. She spent most of her adult life in seclusion, at her Amherst family home. Publishing only a few poems during her lifetime, she made her sister, Lavinia, promise to burn her papers after she passed away.  Had her sister kept her promise, the world would never know her short lines and slant rhymes. 

 Eschewing Second Great Awakening revivalism and the rigidity of New England Presbyterianism, the Transcendent yet haunts her poetry. I hear it in poems like ‘Hope’ is the thing with feathers:

‘Hope’ is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—

I’ve heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me. 

Dickinson describes hope as a bird, that never quits singing despite storms and cold and roiling waters. This is a poignant metaphor. Hope, for her, was resilient, irrepressible. The bird perches in the soul and “sings the tune without the words—/And never stops—at all—.” Hope is the stubborn songbird whose song is carried by the breeze, all the sweeter in strong winds. A melody that warms us through the storm.

Hope, this buoyant birdsong, doesn’t quit. It persists. Despite the weather, sometimes despite the evidence, “in chillest lands—/and on the strangest sea.” Can hopes be dashed and destroyed? Dickinson allows for the possibility, “and sore must be the storm . . .’ but the emphasis here is on the constancy of this birdsong in our souls. 

Advent is the season where we turn our ears toward the bird singing in our soul. In terms of the Christian story, the song she has been singing, does have words. For two thousand years, she sings, “the kingdom of God is at hand. (Mark 1:15).” This song is resilient and the songbird keeps singing despite wars, and rumors of war, families being torn apart and placed in detention centers, environmental degradation, disease, the fear economic collapse and personal bankruptcy, poverty, trumped-up legal charges and the wrongfully convicted, death and the raw experience of grief. Through wind and storm, in tundra and tempest, the song rings out, “the kingdom of God is at hand.Dare we hope that God’s redemption and righteous reign would break into our broken worlds? 

Dickinson’s final two lines: 


Yet, never, in Extremity,
It asked a crumb—of Me. 

indicate that the song of hope is not coercive.  A young Emily Dickinson rebuffed revivalism when she attended Mount Holyoke Female Seminary. She didn’t reject the gospel story per se, she did reject manipulative attempts to get her to respond in a particular fashion to the call of Christ. When Dickinson attended church services with her family, she appeared disinterested. She has cemented her place in history as the patron saint of the spiritual-but-not-religious. 

It is worth asking here if Dickinson is right. Does hope really ask nothing of us? Not even a crumb? I think she is right to say that hope does not demand, coerce, manipulate us. Definitely not. But does not the songbird, invite us, inspire us, and move us to sing along?

The Kingdom of God is at hand.How may we join in the song? 

Two Recent Poems

These two poems are reflections on recent news and the paltry response to sexual violence in the church. If this topic is an open wound and a trigger, please skip reading this. As a follower of Jesus and a man, I want to have a compassionate response toward the #metoo movement and the stories women are telling. Too often, Christian men have failed to really listen and we have also failed to call victimizers to account. 


You see God, but do You hear?

El Roi—the God who sees.
Well, God,
we all see too much.
Open your ears
and hear the
cries of the broken,
scattered mass
crying ‘me too.’
We don’t want,
anymore,
the mercy
which papers over
the sins of victimizers
demanding we forgive
the things that
they’ve
never owned.

Hear us.
Hear us.
Times up,
enough.


Spring, 1998

 [warning: graphic content, press the link above to read Jules Woodson’s story]

That was Savage there,
at the end of
the dirt road,
taking by force
what was yours alone
to give and then,
quaking with chagrin
pleading with you
to pledge
to him your
everlasting
silences.

Later that savage
told a flock of
horny teens:
True Love Waits—
Take the long view!
your future wife
is a Jewel that 
ought to be
 treasured!

Did you feel treasured, Jules?
When he unzipped his pants
and demanded of you: Suck it?
Or when he had you
unbutton your blouse
and jumped from
the driver seat,
aware in
that moment
of the damage
this would do
to (no, not you)
his career?

You were crying in
the church office,
the senior pastor,
conspicuously absent.
He saw your tears,
but Larry,
Cotton in his ears,
wouldn’t hear.
“So you are saying you participated?”
“We’ll handle it.”

 
Twenty years later,
The rich man fatted
with lamb,
No prophet Nathan
came to stand
before the man
and demand
justice
For what
he took.

But you stood—
yourself—
for you
(but not just you),
for the others,
so no more
Cotton men
could
refuse
to hear.

Waiting: Joy (Advent Week 3)

Gaudete in Domino semper: iterum dico, Gaudete¹

I.

“Rejoice! Again, I say rejoice!”
These words penned
in prison—
written by
an old man,
in a cell
on death row.
He was almost
blind but
still hoped
he’d taste
His release.

II.

“Rejoice! Again, I say rejoice!”
Though the
The dark
is long and dusk
devours days,
Behold, a
light shines

the Sun’s rays—
a joyful rage,
against the
dying of
the night.

III.

“Rejoice! Again, I say rejoice!”
The Theotokos
aching and sore,
her hips hurt.
And back.
She’s so tired now,
she lowers herself down
on the couch,
rests her hand
on her belly,
she smiles and asks:
How Long, O Lord?

IV.

One day soon:
kings will topple
from their thrones,
the poor will rise,
the hungry feast,
and broken mend;
whole and healthy,
the lame leap,
blind see,
and every
prisoner will
be free.
“Rejoice! Again, I say rejoice!”


[1] The Introit to the Latin Mass for the Third Week in Advent, Gaudete Sunday,  is the Latin translation of Philippians 4:4, “Rejoice in the Lord Always, I will say it again: Rejoice!”  This week is all about joy, the rose candle a joyful reprieve to the season’s penitential purple.

Notes on Ps. 131 (Poem)

Psalm 131, A Song of Ascent, of David.

 

 

I kick and rage–

proud heart, haughty eyes

I thought I’d

made my mark

already.

 

Insides spinning–

a hope deferred–anxiety

throbbing through my thighs.

 It’s  all too great for me,

I cannot

bear it.

 

Teach me to be-

To know who holds me

upon Her knee, and then

I’d drift contentedly

to peace.

 

I stop kicking and sit, still

proud-hearted-haughty;

yet there is no need to

make a mark

today.

 

You hold me

    there is hope–now,

and when

forever comes,

with You I will rise.

 

©James Matichuk, 2016