Trinitarian Traces in Sciency Spaces: a ★★★★★ book review

Science and theology are two different disciplines and, allegedly, never the twain shall meet. The hard sciences lay their claim to objectivity, dealing with sense-data and the observable world. Theology, for its part, is relegated to the realm of the subjective and ethereal. But what if theology and science had more in common than it may appear? What if the Triune God has so imprinted reality with His Presence that the resonances between God and his creation create contexts for dialogue between science and theology? What if these distinct disciplines were more coinherent than conflicted?

9781532616846This is W. Ross Hastings’s argument in Echoes of Coinherence: Trinitarian Theology and Science Together.  Hastings is especially qualified to speak across these disciplines. He has a Ph.D. in organometallic chemistry from Queen’s University, Ontario, a Ph.D. in theology from the University of St. Andrews (under Alan Torrance!) and he is the Sangwoo Youtong Chee Associate Professor of Theology and Pastoral Theology at Regent College in Vancouver, Canada.  He has been a working scientist, a pastor, and a theologian. He brings these skills together as he probes how the perichoretic and coinherent Triune God and the incarnation of the Son have stamped humanity with the image of God and left traces of Triune coinherence on all creation.

Hastings details his aims as these:

I am first seeking to describe coinherence as a feature of the Divine life, acknowledged widely in the tradition of the church, both in the incarnation and within the Trinity. Second, I am seeking to support the further claim that coinherence can be seen to have echoes in creation. And third, I wish to propose that we may, because of the first two, predicate coinherence of the disciplines of theology and science. That is, I affirm that coinherence is part of the  Divine life (an ontological statement) can be said to have echoes in creation (a metaphysical statement ) and may be predicated further as a way to frame these two great disciplines of human knowledge (an epistemological statement)(5).

Thus, through the rest of the book, he explores the coinherent relationship between science and theology with special emphasis on the history of ideas, epistemology (how we know stuff), ontology and metaphysics (the nature of being).

Hastings argument unfolds in 8 chapters. In chapter 1, he lays out the aims and scope of this project and the idea of coinherence. In chapters 2, Hastings gives a short history of coinherence in the Theology/Science tradition, highlighting his conversation partners of Theologian scientists (scientists conversant with theology) and Scientist theologians (theologians conversant with the sciences. Chapter 3 describes the intertwining History of Ideas for both disciplines—the development of the sciences within a Christian context, its compatibility with theology during the Medieval-Renaissance, and the growing conflict and the fragmentation of the two disciplines from the late Middle Ages, on through the Enlightenment to today.

In chapter 4, Hastings tackles epistemology. He argues that though science and theology have been described as having two different ways of knowing (i.e. Scientists have evidence, Religious people have faith), both disciplines have a fideistic epistemology (taking on faith that their subject is knowable),  weigh evidence, and enter into a critical dialogue between the knower and their subject. Hastings traces this ‘Critical Realism’ in both the sciences and theology, concluding:

Critical realism is thus a philosophical system grounded in faith that the Revealer of truth in every realm is neither capricious nor obscurantist and yet also not controlling, in that he does not make things plain easily, for he has created persons in his own image who he expects to be inquisitive, and to explore, and to think and to worship. (120)

Chapters 5-7 describe the coinherent ontologies of science and theology. Whereas theologians take as their object the Triune God, the Creator has left his traces on His Creation. This allows for various resonances between the realm of theology and the world of science. the Trinity’s relationality, freedom, goodness, immensity, particularity and agency are written in Creation and God’s goodness, intelligibility and relationality are imprinted on humanity as God’s image bearers.

Chapter 8 draws these ontological and epistemological threads together:

The common doxological aim is what makes the sheer hard work in both worthwhile. It is the reality that the kingdom of God has already broken into history in Christ, which brings with it a doxological orientation in both theology and science. Christ has come to recapitulate old Adam’s orientation. (221)

In the interest of full disclosure, I was a teaching assistant for Ross (Hastings) once upon a time and he was one of my professors at Regent College. This is by no means an impartial review (if there is a such thing). Ross’s perspective and insights have stamped my own thinking in significant ways, particular his Trinitarian thought, ethics and missional theology. But I think the subject matter of this book is significant and worthwhile for our North American, post-Enlightenment context. I know good Christians who are suspicious of the sciences for the way materialist approaches undermine the idea faith. I also have scientist friends who have felt like the church undervalues and fails to appreciate their work. The time is ripe for a deeper dialogue between science and theology, not to blur the distinctions of each discipline—scientists are gonna science and theologians will theologize—but to mutually enrich our understanding of both God and Creation. Coinherence provides a good, missional model for a way forward.

Hastings describes this well:

The great opportunity of our times for thoughtful, missional Christians is to offer fresh articulations of the Christian doctrine of creation, grounded in the Trinity and the incarnation, which allow theology to be theology and science to be science yet which also affirm the mutuality and inter-enhancement of each. That is, accounts for theology and science which manifest the coinherence of the epistemology and the ontology of these disciplines. In an era when scientism is less and less credible, in which global warming threatens our existence, there is, I believe, a hearing for a world-affirming, science-embracing gospel. A gospel that offers a humble apologetic, a holistic and communal worldview, (or better, world-love), a gospel that is grounded in the triune Creator God, supremely transcendent and yet infinitely immanent; a gospel that leads to human flourishing and creational shalom. (93-94)

Vocationally, he also describes his specific hopes for those in the sciences:

My rather audacious hope is that this work may help scientists to value their work and to contextualize their science within a broader creative and even doxological framework this helping them and all humans to pursue their vocations in more satisfying and humanizing ways (15).

I give this five stars and highly recommend it. Hastings is a meaty thinker and this book will demand a slow read. Scientists who are believers will be encouraged in their calling as scientists. Thoughtful Christians will be more open  to seeing the way the Coinherent Divine nature marks not only the things of heaven but the very stuff of earth.  – ★★★★★

Notice of material connection: I received a copy of this book from Wipf & Stock in exchange for my honest review

How Absurd Shall We Then Live? a book review

If theology is, in some sense, biography, Gospel of the Absurd(Wipf & Stock, 2017) bubbles up from R. Scot Miller’s circuitous faith journey. Miller grew up Lutheran in Flint, Michigan, rejected his childhood faith, and found belonging among anarchist and Marxist groups, practicing resistance in Detroit’s punk scene of the 1980s. There, he succumbed to a crack-cocaine addiction. His journey back to faith coincided with his journey into recovery. Today, he is a Quaker, a minister at Common Spirit Church of the Brethren in Grand Rapids, a dairy farmer, substance abuse therapist and adjunct professor of theology at Earlham School of Religion. His theology combines a post-liberal hermeneutic with an Anabaptist Constantinian critique of civil religion, Christocentric virtue ethics, anarchist dissent and a commitment to justice and Christian community. Miller wears simple clothes and a wide-brimmed hat but is also a vocal supporter of causes like Black Lives Matter. He is the embodiment of a punk-rock-Amish aesthetic.

9781498296465[1]What is the gospel of the absurd? The absurd claim “that voluntary sacrifice of privilege is the proper response to human brokenness and the systems of domination that have lured the church toward apostasy” (back cover). Too often the Christian public ethic has been coercive, seeking to legislate morality through political power (often issues like abortion and marriage-equality). Miller writes, “I suggest that the failure of Christian ethics is related to Christianity’s continuing quest for power as a political force, because it is perceived to be a coercive force in people’s lives” (7). Miller proposes instead a biblical informed, communal ethics characterized by faithfulness.

Miller’s argument unfolds in roughly three parts. The first four chapters provide a diagnostic for the failure of Christian public witness and ethics in America. Chapters five through seven describe how narrative, revelation and eschatology give shape and specificity to Christian ethics Chapters eight through eleven describe the components of a communal, embodied virtue and care ethic.

Chapter 1 describes the failure of Christian ethics because we have understood our ethical claims as universally authoritative for all (and therefore coercive). In Miller’s analysis, Scripture remains an authority, interpreted contingently by the faith community because “it provides a community with textual discourse by which the world and truth claims can be evaluated in faith” (13).

In chapter 2, Miller describes ‘the dark shadow of the Enlightenment.’ Enlightenment and Post Enlightenment ethics rested on rationalism, utilitarianism, and emotivism. Miller names also the growing absence of the use of Scripture to articulate a credible ethic to the secular world, even among Christian ethicists. This comes into focus in Chapter 3 where Miller discusses how civil religion (à la Reinhold Niebuhr) blurs the lines between Christian faithfulness and our faith in the power of democracy. In contrast Miller describes a biblical ethic of absurdity which makes no sense to the wisdom of our age:

Perhaps a biblical ethic is an ethic of absurdity. The gospel is absurd on its face when one reads the claims made in the Sermon on the Mount, or the manner in which Jesus feeds crows of five thousand from a few loaves and fishes. Stories of resurrections may or may not be absurd, but belief in such stories most certainly is. Yet, if an ethic is to be Christ-centered, I propose that it must have two qualities at the very least: the particulars of the Christian ethic must be gleaned from a faith community’s reading and discussing scripture together, and those communities most be brave enough to have faith that even the absurd produces possibilities, and most radical kinds of faithfulness are the most fruitful. If one believes in the resurrection of the messiah, one must live as though it is true and embody the meaning of such an event for both church and world. (40)

In chapter 4, Who would Dirk Willems torture?, Miller draws upon the witness of the sixteenth century Anabaptist martyr and places him in contradistinction to contemporary evangelical discussions of the acceptability of torture. As with civil religion, scriptural and Christological considerations, get pushed to the margin, but in so doing, a Christian’s ethics become less than Christian. Our ethical arguments rest on emotivism or pragmatism.  Miller observes:

The Christian ethic is voluntary, so while an individual may eschew the Christ-centered interpretive activity of loving one’s enemies by feeding them and providing drink, they may choose an alternative, secular or military ethic by which to abide. Such a decision automatically rejects the Christian path in favor of another. A Christian may choose to torture, but in doing so may automatically render his claim to be a Christian moot. She may indeed find herself barred from participation in her congregation or group until she repents of her engagement with the world through adherence to the secular ethic. (54).

In chapter 5, Miller describes how a shift from describing ethics as a rational system, to understanding ethics through narrative, allows us to articulate an ethic of faithfulness (with a particular focus on the biblical narrative). Miller writes, “The reality of experience can only be translated from one age to another through narrative, providing the story with the authority to credibly interpret events” (70).

His argument comes into sharper focus in chapter 6 and 7 as his discussion turns toward the nature of revelation and eschatology. Miller calls us toward an understanding of revelation “as neither mystery or paradox, but a call for the church to act in history with a new understanding of brokenness” (81). This shifts our concept of revelation away from philosophical and abstraction towards actionable faithfulness. Miller also asserts the biblical narrative gives shape to our understanding of how to be in the world. In his discussion of eschatology, Miller encourages us to not see eschatology and the coming of the Kingdom of God as an end to our space-time universe, but the in-breaking of the Spirit of Christ into human history and our present (103). Thus, eschatology is not about the world burning, but our ability to imagine new possibilities in God.

In chapter 8, Miller describes his own commitment to non-violence, the practice of the early church (evidenced by the fourth century Acts of Philip) and the call for Christians to embody an ethic of faithfulness. So while there is an eschaton in which Miller appeals to, he is hoping also for a recovery of the faithful witness of the church prior to Constantine:

I have suggested that to begin a return to being a church that reflects faithfulness, a starting point is not to suspend reason, but rather to prioritize faithfulness to God and the divine desire for human relationships evidenced in the life of Jesus. We must also revisit the history of the early church to identify not only what the witness of the church looked like before Constantine, but what social and political factors facilitated the radical changes I believe occurred during that era that skewed the manner in which Christians viewed the role of the church in the world. (111)

This ethic of faithfulness, presses Miller toward a virtue ethic patterned on Jesus (who embodied faithfulness to God) and lived out in the faith community (126-127). Miller builds on this Christological virtue ethic, by drawing on womanist theology to illuminate a care ethic which enables us to become “more Christlike, more biblical in our work, and more present in our work for God’s justice” (132).

In chapter 10, Miller explores the experience of injustice faced by African-Americans in this country, and the theology of James Cone and womanists, in order to describe ethics from “the other.” Miller notes that the Bible has been used selectively against people of color and on the margins in our country (e.g. to prop up slavery, Jim Crow, sexism to maintain systemic injustice and patriarchy, etc.); however a theology from the margins  “rejects both naïve realism and idealism” and engages in both a hermeneutic of suspicion and resistance (147). By exploring the African-American experience, Miller elicits both empathy for the injustices black Americans have suffered and invites us to listen to their wisdom on what it means for us to walk in the way of Jesus. Miller writes:

White Christians cannot relate to or walk a mile in the shoes of African-Americans, refugees from war zones, undocumented Latinos, or American Muslims targeted as “terrorists” Yet, I offer the views of black Americans above to illustrate how we might view the historic person of Jesus within a context that allows for an experience of Ricoeur’s “secondary naivete” of Jesus’ social location, as well as an understanding of the necessity of emptying oneself of privilege in order to perform as a witness to God’s redeeming and reconciling work through incarnational presence. We can begin to unpack the nature of the cross, and what is necessary to the efficacy of the cross in light of resurrection theology. I believe we can embody the moral vision that is part and parcel of this kenotic theology through the development of care ethics grounded in a community’s interpretation of the text. Practice will lend itself toward sanctifying perfection.

Chapter 11 concludes the book with some reflections on our current political moment (2017) and invites congregations to share meals and discuss the gospels and Acts and ask what we are expected to do in response to what we find there (153).

Miller synthesizes the insights of John Howard Yoder, Stanley Hauerwas, Alasdair MacIntyre, and presents a strong case for re-engaging scripture in community with an eye for how we should then live. He also highlights some of the common missteps which keep us from embodying faithfulness in the way of Jesus (e.g. rationalism, emotivism, civil religion, etc). There is a lot that is fruitful here, for this moment of history. There are evangelicals who have accepted Trump as their champion, while never asking what his agenda has to do with the way of Jesus. There are those more upset about football players dishonor a flag than they are about the systematic and state-sponsored destruction of black bodies. This is our cultural moment. Miller calls us back to the gospel faithfulness first modeled for us by Jesus. Following in the way of Jesus means both to the obedient life of discipleship and to a lifestyle of care for the marginalized victims of systemic injustice and patriarchy. And to Christians like me, raised and nourished by an evangelical faith that emphasized personal salvation, Miller reminds us that the Christian life is lived in community.

I read this book a couple of times before writing this review, to make sure I was following the flow of Miller’s thought. There is no introductory roadmap and for a short book, it is fairly dense. That isn’t a criticism, so much an acknowledgment that if your church small group is used to reading something fluffy and banal (I’m resisting the urge to name names here), this may be too close to the deep end for them. However, this would be a great book to read and discuss with your thinker and activist friends. I give this four and a half stars. -★★★★½

Notice of material connection: I received a copy of this book from Wipf & Stock Publishers in exchange for my honest review. All thoughts and opinions are my own

Seeing the Bible Through the Eyes of the Artist: a book review

C.S. Lewis famously said, “I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”By that, he meant that the contours of the Christian story shaped his perception of the broader world. It gave him eyes to see. And with imagination, he helped many of us to see the Christian story (and everything else) through evocative works like the Chronicles of Narnia and the Space Trilogy. What is true of Christianity is true of the Arts and the artist, no less the Christian artist, could also say “That through art and because of it, she sees everything else.”

9781498217330If the biblical story is the lens through which we as Christian see, the Arts have the ability to sharpen our focus.  In Imagining the Story (Cascade Books, 2017), Karen Case-Green and Gill C. Sakakini, engage the biblical story, bringing it into conversation with poetry, the visual arts, and creative enterprise. Intended as a coursebook for artists in community, they retell the bible story through a series of ‘C’ words, helping us to see implications for art and faith: Creation, Crisis, Calling, Conception, Coming, Cross & Comeback, Charisma, Community, Church, Consummation.

Case-Green and Sakakini bring pastoral, theological and aesthetic insight to the biblical story. Case-Green is a Baptist preacher and writer, who has lectured in English at the University of Surrey. Sakakini is an artist and teacher, a faculty member of the Grunewald Guild, and has taught at Carey Theological College. I met her when we were students together at Regent College. She is presently training as an Anglican priest. Her depiction of Christ’s incarnation provides the cover art for this book.  These two women meld their insights into the biblical narrative, with their appreciation and engagement of visual arts and literature.

Each chapter cycles through four components, we as readers are invited to engage. First, we read a passage of scripture (e.g., chapter 1, on Creation has us read Genesis 2:4-20, p 2-3). Second, we are invited to respond to the passage, through a series of questions on the text. Third, we reflect, bringing the passage, and the chapter of the story we are in, into conversation with works of art or poetry. Here also, Case-Green and Sakakini give their own reflections on the implication of the biblical story for them as artists and believers. Finally, we are invited to make—”a chance to playfully participate in the story by creating something—either visual or verbal—in response to the particular theme of the chapter” (xxii).  As this book is intended as a coursebook, the reflections, and creative projects work best in group discussions and contexts, though the book can be read, as I read it, on one’s own. However, in order to fully appreciate what Case-Green and Sakakini are doing, this book ought to be read slowly, and each of the four components engaged fully.

In the forward, W. David O. Taylor, recalls the words of Calvin Seerveld, “God’s Spirit calls an artistic practitioner to help their neighbours who are  imaginatively handicapped, who do not notice there are fifteen different greens outside their window, who have never sensed the bravery in bashfulness, or seen how lovely an ugly person can be” (xiv). Taylor writes:

For the Christian the twin gift of coherence and attentiveness afforded by good works of art comes as welcomed news. In fact, it’s nothing less than gospel stuff. It’s the sort of things, I’d hope, that we ought to be making and promoting and patronzing ourselves. And, in a sense that is exactly what Gill and Karen offer the reader in their book, Imaginging the Story (xiv).

This is the gift that this book offers. Case-Green and Sakakini invite us to contemplate the old, old Story and to reflect on evocative works of art. They have produced an accessible guidebook to a whole new way of seeing the Bible, the Faith, Creation and Creating—and everything else. The book is chock-full of images, though the printing of the book I read, is in black and white. However, a tech-savvy reader can find many of theses images online (including Gill Sakakini’s own gallery). Sometimes, they include web links to artist web pages in their footnotes. To me doing the extra step of looking for full-color and larger renderings, enhanced my appreciation of what Sakakini and Case-Green were doing through this book.

I recommend this for small groups, classes or anyone interested in seeing the Good, True, and Beautiful through the eyes of Scripture and the Arts. Four Stars ★★★★

Notice of material connection, I received this book from Wipf & Stock in exchange for my honest review. I was not asked to write a positive review.